Wet collodion event

Events, Portrait

I took part to a project to create a series of portrait of people linked with Elephant&Castle area.


Hair by Sam McKnight | Somerset House

fashion, Portrait

The exhibition presents hairdresser Sam McKnight’s works in collaboration with photographers, designers, models and celebrities (Nick Knight, Patrick Demarchelier, Craig McDean… Karl Lagerfeld, Vogue… Kate Moss, Tilda Swinton, Anja Rubik, Marion Cotillard… Princess Diana, Lady Gaga…). It was inspiring and resourceful on fashion portraiture and studio lighting (not really on hair itself), as a creative visual communication. His interview in his garden raises questions on future of images and digital images, and  on profusion of them nowadays.

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Sally Mann : Collodion Process


Collodion is a complex technique (chemicals are highly controlled, the process requires precision and rapidity of execution) using glass plate coated with silver nitrate, typical of nineteenth-century photographic aesthetic.

Sally Mann with antique view cameras from the early 1900s, with accordion, brass lenses and that need you to take picture under a black cloth. They soften the light, make the pictures timeless. “I’m just the opposite of a lot of photographers who want everything to be really, really sharp and they’re always stopping it down to F64 and they like detail and they look with their magnifying glass to make sure everything’s really sharp,” she says. “I don’t want any of that. I want it to be mysterious.”

Sally Mann was convalescent, and couldn’t move from her bedside. She started to take photographs of herself. Her shadowy imperfect images are glass-plate ambrotype positives straight from the camera, developed using an old long-winded process. Imperfections, scratches, dark exposure with low contrast, slightly out of focus make her face rising from the darkness of illness.


Sally Mann, Self autoportraits ambrotype.jpg

Her elusive self-portraits are vanities,  melancholias of the past fading  and disappearing with the passage of time. The grid of square frames represents her ‘memories’ as a daily selfie of that time. We can look further Roman Opalka’s work who took his portrait day after day to record his transformation, his evolution with age (regarding a daily scale).